{"id":5905,"date":"2012-01-06T03:18:50","date_gmt":"2012-01-05T19:18:50","guid":{"rendered":"https:\/\/www.chengduliving.com\/?p=5905"},"modified":"2012-01-30T15:20:30","modified_gmt":"2012-01-30T07:20:30","slug":"tang-wugang-the-armory-of-an-artist","status":"publish","type":"post","link":"https:\/\/www.chengduliving.com\/tang-wugang-the-armory-of-an-artist\/","title":{"rendered":"Tang Wugang: The Armory of an Artist"},"content":{"rendered":"
As an emerging artist, Tang Wugang doesn’t aim to rise to a level equal to his luminaries overnight. But he does sport the now proverbial bald crown and saintly expression of a contemporary master as he walks around his brightly lit studio stacked with paintings of armored and embattled souls- examples from the latest collection he’s been working on.<\/p>\n
Once tutored by our previously featured artist He Duoling, Tang began his study at Sichuan Pedagogical Academy (Oil Painting department) in Chengdu. He encountered the works of Caravaggio, Tiepolo, Rembrandt, Rubens, Velazquez, Sargent, Goya, and Dali (the latter of whose influence can be seen from Tang’s use of floating fish and eyeballs) and was inspired by their razor-sharp precision and faithfulness to movement and form, their exquisite renderings of light and shadow- a precision of motion that 20th century animators would carry to whole new realms.<\/p>\n
Whatever Flies in the Sky<\/h2>\n
As far as standing out among the crowd goes, Tang is a modestly rebellious intellectual. He’s not advertising full-on eroticism, psychedelic candy colors, or ubiquitous culture cues, but there is enough of the present culture in his work: just look at the popular video game Legend, which he likes to play. Tang Wugang’s paintings are broken, interrupted, and sliced through, even demented at times. He may keep things to scale, but he will offer multiple perspectives, painting a gloomy abscess where light and emptiness reveal the pieces of exploded persons, helpless and breathless, war-torn, drowning under wreckage. Arms, legs and heads disappear as if ripped off, suspended in depth. Moodily sketched female busts and the lingering impressions of war heroes, frozen in place and space, await the end of some struggle or the punishment of some crime.<\/p>\n
I visited Tang’s house on a frigid Saturday night in his cul-de-sac near the Chengdu airport, tucked away in the southern reaches of the city. Unlike spaces in modernized He Tang Yuese, his house is a cozy three-story affair- no high ceilings or modern facades. In the lower part of the house are his dining room and studio. We ate together with a number of friends. The household help set out simmering hotpot with Korean-style paocai, lotus root soup, rice, and dishes of spicy vegetables, a meal prepared in observance of a showcase of Tang’s work that day at the nearby Millennium Hotel, where we’d been earlier to photograph his works.<\/p>\n