{"id":6046,"date":"2012-03-10T04:00:59","date_gmt":"2012-03-09T20:00:59","guid":{"rendered":"https:\/\/www.chengduliving.com\/?p=6046"},"modified":"2012-03-26T11:48:27","modified_gmt":"2012-03-26T03:48:27","slug":"artist-liang-wei","status":"publish","type":"post","link":"https:\/\/www.chengduliving.com\/artist-liang-wei\/","title":{"rendered":"Life of the Artist: Liang Wei’s Shifting Landscapes"},"content":{"rendered":"
When I first met Liang Wei, it was about three years ago on the boarded piers of the Seattle waterfront. I was peddling a single-speed pedicab, or a Western version of a rickshaw, rented out to users for the purpose of picking up customers and ferrying them around for extra change. An interesting job? Not as interesting as those of the people I got to meet. Close to a restaurant called the Old Spaghetti Factory opposite Pier 70, Wei came along with two of his friends, Chinese art professors Liao Lei and Wang Lin, of the Sichuan Academy of Fine Arts in Chongqing. They were only on a brief visit to Seattle and wanted to see all the tourist sites. I’d travelled to China once as a teenager, and I still spoke some Mandarin. When Wei introduced me I was able to chat with them all for a minute. They quickly departed after going for only a short ride and snapping some pictures. I remembered Wang Lin’s name, but I soon forgot the others.<\/p>\n
More than three years later, I am friends with Liang Wei and have visited his family’s home in Chengdu and seen a variety of his new works on commission. I’ve met lots of his Chinese friends. It’s strange to think that a tall Westerner in butterfly wings got interested in the Middle Kingdom while peddling three Chinese men in a rickshaw, but I’ve been basically obsessed ever since, and have spent much of my time in this country being ferried around on those three-wheeled carts myself.<\/p>\n